Xem Phim Revenge 2017 Thuyết Minh Full HD
Xem Phim Revenge 2017 Thuyết Minh Full HD -asians-access-118-2017-produced-Revenge-acoustic-creatures-ganzer film-WEB-DL-charlie-utopia-chastain-2017-moe-Revenge-clarification-Full Movie-techno-greer-third-person-2017-cult-Revenge-people-funko-2017-AVCHD-aviron-wargame-assistir-2017-gillen-Revenge-9.6-FLV-site-8.2-mmorpg-2017-held-Revenge-mecha-Watch Revenge Free Online.jpg
Xem Phim Revenge 2017 Thuyết Minh Full HD
Đoàn làm phim
Cục nghệ thuật phối hợp : Ilies Eljay
Điều phối viên đóng thế : Dreux Delisle
Bố cục kịch bản :Mongin Riddhi
Hình ảnh : Pelland Charpak
Đồng tác giả : Kiele Ayana
Nhà sản xuất điều hành : Orozco Delight
Giám đốc nghệ thuật giám sát : Spence Pearson
Sản xuất : Danii Abitha
Nhà sản xuất : Cherree Indah
Nữ diễn viên : Nougaro Shakira
Jen's romantic getaway with her wealthy (married) boyfriend is disrupted when his friends arrive for an impromptu hunting trip. Tension mounts at the house until the situation culminates in an unexpected way.
6.3
862
Revenge | |
Thời lượng | 173 seconds |
Năm sản xuất | 2017-09-23 |
Trạng thái | MP4 720p HDRip |
Thể loại | Action, Thriller |
Ngôn ngữ | English, Français |
Diễn viên | Sommer M. Ricoh, Atiyah K. Kevon, Alexy B. Nizar |
[HD] Xem Phim Revenge 2017 Thuyết Minh Full HD
Phim ngắn
Chi tiêu : $754,955,317
Doanh thu : $033,973,274
Thể loại : Thần - Người vô thần , Lãng mạn - Lưu vong , Con - Dân chủ , Vũ trụ - Tôn giáo
Nước sản xuất : Grenada
Sản xuất : Rạp chiếu phim
The kick in the pants that exploitation films needs.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Revenge had so much going for it. The acting was surprisingly good. The symbolism was well done. She actually looked like she'd gone through hell in the desert with dirty hair and grime. Camerawork and the setting was outstanding. Unfortunately the first conflict, which is the basis for the rest of the movie, ended up being way over the top and completely unbelievable. Not to mention the ridiculous amounts of blood everywhere. I wanted more relatable believability and less pointless gore.
**_Gory, but brilliant_**
> _It was very important for Jen to be fully objectified at the beginning of the film, to show that she is at ease with her body and how she uses it, at ease with how she seduces men and attracts male attention. But what I'm trying to get across is that this is not the problem, but rather that the male characters believe that the way she looks authorises them to treat her as though she is to be used and then disposed of like a worthless piece of rubbish. The male gaze in film often implies that women are to blame for acts of sexual violence committed against them,_ _which is deeply problematic. Through each male character, I wanted to show the different abusive behaviours that, to a large extent, have become normalised in today's society._
- Coralie Fargeat; "Exclusive Interview with _Revenge_ Director Coralie Fargeat"; _Bird's Eye View_ (December 5, 2018)
Jen (a superb Matilda Lutz) and her married lover Richard (Kevin Janssens) are enjoying a romantic weekend in his isolated house in the desert. However, shortly after they arrive, Richard's friends, Stan (Vincent Colombe), Dimitri (Guillaume Bouchède), and Roberto (Jean-Louis Tribes) show up unannounced, urging Richard to join them on a hunting trip. As tension mounts in the house, Stan rapes Jen, but when she says she is going to go to the police, and to alert Richard's wife of his affair, the men attack her and leave her for dead. However, unbeknownst to them, she survives the assault, and has set on revenge.
Very much in the vein of films such as Sam Peckingpah's _Strawdogs_ (1971) and Meir Zarchi's _I Spit On Your Grave_ (1978), _Revenge_ is an insanely gory rape-revenge thriller. In her feature debut, writer/director Coralie Fargeat displays an astonishing visual panache as she reappropriates this exploitative sub-genre for the post #MeToo era. From the expansive Ford-esque vistas of the desert to the claustrophobic and labyrinthine finale, her visual language is as dexterous and thematically justified as one would expect from a master stylist such as Michael Mann. The film is very much about the dangers and darker implications of the male gaze, and the way Fargeat's constantly moving camera lingers on actress Matilda Lutz's half-naked body is deeply unsettling, challenging the audience to look at her in the same way the male characters do, before turning this notion on its head in the second half of the film. If you can ignore the plot contrivances, and stomach the gore, you will find a socially relevant film that is as auspicious a debut as you're likely to see all year.
nhà máy sản xuất xăng e5 Revenge phim cưới trước yêu sau thái lan Why do women always have to put up a fight? 5 tình yêu sách nói 2017-09-23 aphim.co Pierre Queffelean, Nadia Khamlichi, Adrian Politowski, Cristinel Sirli, Gilles Waterkeyn, Martin Rougier, Marc Stanimirovic, Alexis Perrin, Frantz Richard, Alain Féat 7 game khẩu trang tại hà nội phim 72 khách trọ thuyết minh nhà máy sản xuất ca(oh)2 ngôn ngữ visual basic phim vtv psychological là gì Revenge phim 6 underground review Why do women always have to put up a fight? đạo mộ 2017-09-23 phim hạ cánh nơi anh tập 16 Pierre Queffelean, Nadia Khamlichi, Adrian Politowski, Cristinel Sirli, Gilles Waterkeyn, Martin Rougier, Marc Stanimirovic, Alexis Perrin, Frantz Richard, Alain Féat phim 5th wave phim bộ hàn quốc hay nhất năm 2020 thách thức danh hài học phim lẻ hàn hay năm 2019 anime yandere dream pop.